Tag Archives: John Wells

A thriller that delivers both excitement and insight about the war in Afghanistan

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A review of The Shadow Patrol, by Alex Berenson

@@@@ (4 out of 5)

 The cottage industry in spy thrillers encompasses a wide range of quality, from those that offer up cheap thrills with one-dimensional characters facing off in unreal circumstances to those, many fewer, that rise into the realm of literature, illuminating the human condition. The finest of the lot, such as Graham Greene and John Le Carre at their best, stand with other exemplars of modern fiction. Alex Berenson’s writing doesn’t quite measure up to them, but it comes close. His most recent novel about the adventures of soldier-spy John Wells, The Shadow Patrol, explores the tragic dimensions of the U.S. war in Afghanistan, from which no one leaves ennobled.

John Wells has left the CIA and his long-time love, his agency handler, Jennifer Exley, and is living in rural New Hampshire with Anne, a local cop. When his old CIA boss, Ellis Shafer, asks him to return to action in Afghanistan, where he spent so many years undercover inside Al Qaeda, Wells leaps at the chance. The agency’s Kabul station is in crisis. A Jordanian physician, having established a credible cover as an ally, has murdered the CIA’s top brass in the country by setting off a suicide vest. Now, in addition to the chaos that results when replacements for the top officials prove unequal to the task, reports have surfaced that the station has been penetrated by a Taliban mole. Wells’ assignment, to learn the identity of the mole, brings him and the CIA into conflict with the hierarchy of the Special Forces and eventually into a one-on-one test of wills with a Delta sniper who holds the key to the mole’s identity.

Returning years after his last visit to Afghanistan, Wells finds the country, the war, and the agency, all profoundly changed by the billions of U.S. dollars spread about the countryside and the years of unrelenting killing. Cynicism and greed have spread throughout the country like a virus.

When Wells checks into the CIA station in the capital, a senior officer tells him, “First off, understand the strategic situation’s a mess. We’re playing Whac-a-Mole here. First we had our guys in the east, and the south went to hell. Now we’ve moved everybody south, and the east is going to hell. And by the way, the south isn’t great either. This quote-unquote-government we’re working with, it’s beyond corrupt. Everything’s for sale. You want to be a cop? That’s a bribe. Five to ten grand, depending on the district. . . to become a patrolman. You want to be a district-level police chief? Twenty, thirty thousand. At the national level, the cabinet jobs are a quarter million and up.”

While there’s nothing in this monologue that we haven’t learned from news reports and the numerous nonfiction books about the war, this matter-of-fact informality drives home the point more clearly than any “objective” report could do. In fact, Alex Berenson was a New York Times reporter before he turned to full-time writing. As a reporter, he covered the occupation of Iraq, among other big stories, and he brings a reporter’s instinct for news and the value of obscure details to make a story come to light. In The Shadow Patrol, the intimate conversation and inner dialogue of American troops highlights the mind-numbing reality of war much more clearly than any nonfiction account could possibly do.

One of the most revealing passages in the book comes in the course of Wells’ conversation with the same CIA official who spoke of the corruption caused by the influx of U.S. dollars. Wells has asked “So how many officers do you have?”

“We’re close to full strength now. Six hundred in country.”

“Six hundred?”

“But you have to remember, only a few are case officers. More than two hundred handle security. Then we have the coms and IT guys, logistics and administrative . . . and the guys at the airfields, handling the drones. Fewer than forty ever get outside the wire to talk to the locals. Of those, most are working with Afghan security and intelligence forces. If you’re looking at guys recruiting sources on the ground, it’s maybe a dozen. . . . The security situation is impossible. Only the very best officers can work outside the wire without getting popped, and even then only for short stretches.”

This is today’s CIA.

Berenson has devoted significant effort to researching the agency, the reality of the war in Afghanistan, the heroin trade, the art of the sniper, and other elements in this clever and compelling story. The Shadow Patrol — the sixth in Berenson’s John Wells series — is a superb contemporary thriller that delivers both an exciting tale and down-to-earth reporting on the Afghanistan war.

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The Pentagon and the CIA take a lot of punishment in this novel of rendition and torture

A review of The Midnight House, by Alex Berenson

@@@@ (4 out of 5)

The Midnight House of the title is a secret site in Poland where high-value prisoners in the “war on terror” are clandestinely flown to be interrogated outside the jurisdiction of U.S. law and even the U.S. Military Code of Justice. The term of art for this process is, of course, rendition, and the tactics employed by the secret team assembled by the CIA and the Pentagon can only be called torture. There’s nothing subtle about this novel.

The events that take place in the Midnight House over a two-month period in 2008 are so explosive, and so shocking, that they lead to an upheaval in relations between the U.S. and Pakistan, end the career of a senior U.S. intelligence official, and spark a series of brutal murders. As I say, there’s nothing subtle about this novel.

Berenson writes from an omniscient perspective, revealing the thoughts of a long series of minor characters as the story moves forward, but his soldier-spy-hero, John Wells, dominates the tale. Called back into action from an escapist vacation in the mountains of northern New Hampshire, Wells is maneuvered into investigating what appears to be the sequential murder of the members of the top-secret team that operated the Midnight House. Together with his nominal boss, Ellis Shafer, Wells soon finds himself enmeshed in a bewilderingly political set of tense, interlocking relationships among the principal figures in the story. As it turns out, nothing is what it seems.

The Midnight House is the fourth of Berenson’s six John Wells novels to date. There’s no sign he’s slowing down.

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An able spy story about terrorism, nuclear weapons, and Russia on the rise

A review of The Silent Man, by Alex Berenson

@@@ (3 out of 5)

When I read a spy story, I tend to look for credible characters and plausible plots as well as the usual fare offered up by the genre, such as suspense, exciting action, and (sometimes) exotic locales. In virtually all these ways, The Silent Man passes my litmus test as an excellent example of the craft — but one decision by the President of the United States, not even critical to the plot, struck me as so implausible and so dumb that it soured the final chapters.

However, there’s no denying that The Silent Man builds tension from its opening scenes inside Russia’s super-secret nuclear production complex to its conclusion in an utterly commonplace setting within the United States. The protagonist is soldier-spy John Wells, a former Ranger who spent a decade infiltrating Al Qaeda in Afghanistan and went on to work for the CIA, where he now hangs his proverbial hat. The Silent Man — Wells himself, deeply troubled by his crumbling relationship with his partner and lover, Jennifer Exley — is the focus of much of the book, but through Alex Berenson’s pose as an omniscient narrator we roam through the minds of the Al Qaeda terrorists Wells is pursuing as well as his colleagues and rivals within the CIA and the hard-line officials at the top of Russia’s nuclear establishment. Every character in this book is portrayed with fine brush strokes, emerging as a fully rendered person who acts in understandable ways (with the sole exception of the aforementioned President).

The Silent Man is the third in Alex Berenson’s series about soldier-spy John Wells and his continuing efforts to keep the world safe for humanity.

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