A bestselling New York Times thriller that’s worth all the fuss

A review of Gone Girl, by Gillian Flynn

@@@@@ (5 out of 5)

I think I may be in love with Gillian Flynn.

This is the story of Amy Elliott Dunne and Nick Dunne, the perfect couple in the ideal marriage. It’s a storybook tale . . . or maybe it isn’t. One day Amy goes missing, and it slowly begins to dawn on you that one (or both) of the two is a sociopath. Gone Girl is plotted almost as diabolically as Catch 22. It’s near-perfect, with jaw-dropping shocks and shivers all the way to the very last page.

Amy is the Golden Girl, raised in wealth and privilege in New York’s intellectual society, brilliant and drop-dead gorgeous. She is Amazing Amy, the subject of her loving parents’ eponymous series of children’s books that instilled in a generation a powerful sense of right and wrong. Amazing Amy is everyone’s ideal.

Nick is a son of Missouri, a Tom Sawyer-like figure who grew up near Hannibal and literally once held a job impersonating Huck Finn for tourists. Himself drop-dead gorgeous and a brilliant writer, Nick is the perfect husband for the perfect woman.

As this story unfolds in Flynn’s expert hands, we learn more and more about these extraordinary people. At length, we figure out that things can’t possibly turn out well. But we can’t possibly guess how.

The style with which this thrilling tale is told is simply intoxicating. Gone Girl is one of the very best novels of of suspense I’ve ever read. For once, a novel is topping the New York Times bestseller list that isn’t (a) written on James Patterson’s assembly-line, (b) a potboiler about the rich, powerful, and famous, or (c) female S&M porn. If you have even remote interest in thrillers, read this book.

North Korea, Afghanistan, China, Iran: they all come together in a superb spy novel

A review of The Ghost War, by Alex Berenson

@@@@ (4 out of 5)

Contemporary novels about espionage tend to focus on the rise of China, North Korea, Iran, or Middle Eastern terrorism. The Ghost War, the second of Alex Berenson’s six spy thrillers, brings all four of those themes to the fore in a heart-pounding story that thrusts the CIA ‘s preeminent soldier-spy, John Wells, into circumstances that threaten not just his life but also the beginning of war between China and the U.S.

The Ghost War opens on the coast of North Korea, where the CIA fumbles the extraction of their most valuable informer within the country. Soon afterwards, Wells is dispatched on a seemingly unrelated mission to Afghanistan, while his lover, Jennifer Exley, pursues the search for a mole within the CIA. As the story unfolds, these three threads — and more — become intricately intertwined, and the suspense builds toward a powerful climax in the vicinity of where the novel opened.

The Ghost War can be read alone but is likely to be more enjoyable if taken up after reading The Faithful Spy, the first of his novels about John Wells. The Ghost War picks up Wells’ career after the heroic role he played in the earlier novel, for which he has gained considerable fame.

With The Faithful Spy, published in 2006, Alex Berenson won the #1 spot on the New York Times bestseller list as well as an Edgar Award for best first novel. However, he left his job as an investigative reporter for the Times only in 2010, after more than a decade there. Berenson’s reporting skills, honed in reporting from Baghdad and probing the Bernie Madoff scandal, serve him well in his new profession. They’re reflected in the depth and technical detail of the story and the realistic scenarios he paints. He also writes well, and he has mastered the twin skills of plotting and characterization. The Ghost War is, simply, outstanding,